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Everything written is unique in some way. A publisher treads a fine line between preserving that unique quality whilst at the same time presenting the publication in such a way as to make it recognisable and attractive to its target audience. For example our Trekzine, Personal Logs, needs to be recognisable as...
All of these key points, which by the way would be tags you would need to apply to your work where possible, should be recognisable from the cover either by being spelled out in the promotional blurb or by recognisable memes in the cover art, font, colour scheme or layout of the cover
Does an illustration have to accurately record something that happens in the story? That is a bitterly fought argument! My own thoughts on the matter are: why can't you have both? A cover that sells the story and accurately shows a scene in the story? Given that a cover has a minor difference with the story but really ticks all the boxes to draw the casual browser I would only veto it if the author vehemently disagreed with it – mainly because if they felt that strongly about it then others who read it and liked it might as well.
Marion Gropen puts it this way on the Self-Publishing Yahoo Group, “If you put art that looks like a cozy mystery on an urban fantasy, it doesn't matter that the room depicted actually appears in the book. The reader who buys it will be expecting a cozy, and they'll be annoyed when it's not. And the reader who actually would like your book probably won't buy it, based on that cover image.”
So what do I look for in a cover? Two things. Primarily I'm looking for something that will allow the prospective reader to accurately identify the style, genre and content of the story. This might sound “commercial” to you - a strange thing to say about a fan production! - but there is a language and symbology to covers, just as there is to road signs and food packaging, and it is this that will make the initial connection between your book and the browsing reader.
However whilst showing how this is similar to other stories the prospective reader might have read, it also needs to explain how it is different as well. It needs to show the unique spark that will make the story memorable for the reader. Hopefully so much so that they will go looking for others thing the author has written!
Remember, what TrekUnited publishing is doing and I would suggest all other publishers of fan produced works, is to emulate professional publishers right up to, but not including the vast profit they make! The writer creates the stories, we package it in such a way as to attract an auduence for it and facilitate the distribution of the finished works. This means that at times we need to follow the experience of professionals in the field and then adapt them to our own purposes.
[To Be Continued?]
K
- short stories and art...
- about Star Trek, any series and era...
- a wide range of story types from action/adventure to personal relationship dramas...
- Fan produced...
- rated PG13 or less...
All of these key points, which by the way would be tags you would need to apply to your work where possible, should be recognisable from the cover either by being spelled out in the promotional blurb or by recognisable memes in the cover art, font, colour scheme or layout of the cover
Does an illustration have to accurately record something that happens in the story? That is a bitterly fought argument! My own thoughts on the matter are: why can't you have both? A cover that sells the story and accurately shows a scene in the story? Given that a cover has a minor difference with the story but really ticks all the boxes to draw the casual browser I would only veto it if the author vehemently disagreed with it – mainly because if they felt that strongly about it then others who read it and liked it might as well.
Marion Gropen puts it this way on the Self-Publishing Yahoo Group, “If you put art that looks like a cozy mystery on an urban fantasy, it doesn't matter that the room depicted actually appears in the book. The reader who buys it will be expecting a cozy, and they'll be annoyed when it's not. And the reader who actually would like your book probably won't buy it, based on that cover image.”
So what do I look for in a cover? Two things. Primarily I'm looking for something that will allow the prospective reader to accurately identify the style, genre and content of the story. This might sound “commercial” to you - a strange thing to say about a fan production! - but there is a language and symbology to covers, just as there is to road signs and food packaging, and it is this that will make the initial connection between your book and the browsing reader.
However whilst showing how this is similar to other stories the prospective reader might have read, it also needs to explain how it is different as well. It needs to show the unique spark that will make the story memorable for the reader. Hopefully so much so that they will go looking for others thing the author has written!
Remember, what TrekUnited publishing is doing and I would suggest all other publishers of fan produced works, is to emulate professional publishers right up to, but not including the vast profit they make! The writer creates the stories, we package it in such a way as to attract an auduence for it and facilitate the distribution of the finished works. This means that at times we need to follow the experience of professionals in the field and then adapt them to our own purposes.
[To Be Continued?]
K
Position vacant: Art Editor
This first year of TrekUnited Publishing has been immensely satisfying for me. With the help of a small group of dedicated friends I've been able to introduce promising and established authors to a wider audience, feature the work of some brilliant artists and give Star Trek fans a taste of what fan fiction could be like if we embraced the opportunities that technology is offering us right now.
Much as I have loved what we have done, I cannot help but wish that we could do more. However, if we wish to capitalise on the new ground that we have broken and provide Star Trek fandom with a truly comprehensive fan fiction publishing service - and
PD Smith - Tales From the Fleet 01 : Species 571
PD Smith - Tales From the Fleet 01 : Species 571
For more information, go to our new website at
TUpub-books.blogspot.com.au
The first graphic novel to come from the virtual pen of PD Smith, his 'proof of concept' issue to test out DAZ Studio as a totally new media. A new starship captain finds herself caught in a war between sworn enemies that could destroy her command. 61p. A4
The graphic novels we are publishing, specifically Madison Bruffy's Novatrek series, are proving to be very popular and it is in no small measure due to the graphic element of the work. These are more substantial than comics - 60-80 pages each - and have been create
Hailing Frequencies Open: Personal Logs Issue 2
Hailing Frequencies Open: Personal Logs Issue 2
For more information, go to our new website at
TUpub-books.blogspot.com.au
TrekUnited keeps the grand tradition of Trekzines alive with another issue of Personal Logs! Our cover feature is a powerful action drama by GS Davis, spotlighting characters from his web comic, USS Tamarlane and the art throughout, including specially commissioned portraits by Sean Tourangeau, is stunning ! This massive issue ranges from continuations of Madison Bruffys' "Altered Lives" and Janet Gershen-Siegels' "Freak School" to TL Shulls' poignant "Filling In The Blanks". There is something for every taste by author
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